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Derrick Pierce, Berlin

«Nul n'entre ici s'il n'est géomètre!» (Nobody allowed to enter here if not a geometer!» (the motto written by Plato on the door of his school - the Academy). A shoot for experienced public only. For we are not any longer into porn 'regular' shoots here - but into a film, the second one of TF belonging to the Legend of cinema after the one shot by Sabrina Fox at CM starring Penny Flame and Wolf Hudson. Because I am a cruel French son of a bitch, I will leave you decipher who's the rigger and director of this scene, the third pole of this geometry into space pointed at as an outside frame in the last interview by the eyes of Mz Berlin - the greatest interview ever at TF. And because I am what I am, a mother fucker, if I will say something here about this masterpiece of geometry, I have decided not to explain you the rules of geometry - you, viewers, never crowding the comment board when it comes to out of the ordinary performances, but I have decided to be a bore - a long commenter. I will limit myself to set "points" into the space of geometry. Geometry of souls into bodies. So, I will involve myself totally without saying nothing. We are here into "intellectual porn, round two" between Mz Berlin & Derrick Pierce, three months later, after this historical performance where the top dom was dommed by his sub at F&B, in fact a domme herself deserving respect at the Factory. Sooo! I figure to myself this shoot was pre-viewed as a 'Derrick's revenge', having Mz Berlin return to Berlin's submission to the male power - as we know, the power of the phallus (the penis in erection = the cock, the mastery of language etc.). And, at first view, that's the trick, Mz Berlin playing the sub-top at start, with utmost arrogance, throwing the gantlet after to the domination of the guy, the cock-bearer, having him recognize she is a sex-whore lusting merely for pleasure under her great appearances. Buuut, on the road, something happens unexpected perhaps by the players (and the director?) : they are caught themselves into the geometry of the role play, and they do not play the scenario basically, they reach the "sub-space". The key of this strange turn, every time you involve yourself truly into geometric spaces (here some of the roles into sex), is found into clip n°4 and in the final interview. Why! Berlin is allowed to wear needle shoes whereas a sub being fucked, and she expected to play the role of the sub-domme playing to be dommed by the feelings and sensations. And Derrick expected to play the role of the (ex-sub) dom recovering his mastery etc. But they reach at one moment the geometrical link between their imaginary scenes of pleasure in pain, into a recognition of the souls, strangely (?) Derrick more conscious of that in the final interview than Mz B. I think Mz Berlin is a sort of "Janus", a bi-faced woman, and, in her becoming Berlin, doesn't know actually the law of her pleasure geometry. She reached it when she asks Derrick to slap her while vibrated - she had to loose her red lipstick to come, to show (I am mean) when doing a blow-job that she has an inverted face : the face of a she-pig without eyes sucking a dick (I think she will never pardon me that on the road ever, but I see that). D. is aware, I figure, of his own geometry of pleasure, a quite complex one involving the recognition by the sub (his best scene, he says, is when he is able to make Mz B. come really), and it's nice to see him so much himself into the scene towards abandon of himself. If I have exaggerated here in the length of my comment, it is because the others exaggerated into their dumb experience. And I have said nothing enjoyable! (= sadism). Always a problem of geometry. - The greatest scene of B. as a sub at the Factory and the best of Derrick with his scene with Nika (another ground). Congrats!

-- regisjean